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Tony Veale & Mark T. Keane: Conceptual Scaffolding: A Spatially Founded Meaning Representation for Metaphor Comprehension. Computational Intelligence 8: 494-519 (1992)
@Article{,
author = {Tony Veale & Mark T. Keane},
title = {Conceptual Scaffolding: A Spatially Founded Meaning Representation for Metaphor Comprehension},
journal = {Computational Intelligence},
year = {1992},
OPTvolume = {8},
OPTpages = {494--519},
}
Author of the summary: Jim Davies, 2003, jim@jimdavies.org
Cite this paper for:
- Conceptual Scaffolding: "an interim meaning structure around which a
fuller interpretation is fleshed out over time."
- System: TWIG knowledge-base management system
- neutral concepts [10]
- functional attributes[11]
- common attribute selection [31]
Conceptual Scaffolding: "an interim meaning structure around which a
fuller interpretation is fleshed out over time."
"Metaphors can be interpreted through core spatial metaphors forming a
conceptual scaffolding between concepts. The role of the conceptual
scaffolding is to create associations between ideas." [3]
Specifically, this paper looks at collocation, containment, and
orientation.
System: TWIG knowledge-base management system
The broad semantic themes of an utterance are first constructed, then
it's fleshed out, in two stages. [5] The fleshing out involves:
- label association with a conceptual relationship
- infer new associations
- establish coherence
Representation language:
- connect/disconnect: means association and dissociation ("Mary
ran out of money" is a disconnect.) Symmetric.[6,7]
- actual causality/attempted causality: an agent node
connects with one of these to a relationship, as a causal
factor [8]. ("Bill gave Mary the book" =
actual-cause(Bill,connect(Mary, book))
- contain/release: Specializations of
connect/disconnect. Non-symmetric. ("Bill has fire in his veins."
in is a containment cue. Same metaphoric meaning as "Bill is
hot-blooded.") [9]
- up/down: Up(appearance) = beautiful, clean, etc.;
up(speed) = fast. Where "appearance" and "speed" are neutral
concepts that take on meaning with the up/down metaphor. [10]
The abstract metaphor (my term) will prefer those aspects of ideas to
which the metaphor can be applied. For example, saying that the
computer is going down means that the computer's operation is going
down, rather than it's mouse. With natural objects the "functional
attributes" are determined by how they are used.[11]
More complexity: up(laptop) = down(laptop.weight) AND
down(laptop.size) [12]
Laptop is a aggregation of attributes from laptop, computer,
and product, and the context telss the agent which attributes
to attend to.
[17] Another example:
"OS/2 lost a fortune"
disconnect(OS/2,Fortune)
disconnect(OS/2,up(wealth))
connect(OS/2,down(wealth))
down(OS/2)
down(OS/2.market-share)
It's hooked up to a KB, which takes as input a concept relation
(e.g. connect(superman, clark-kent)) and outputs a e.g. connect
clark-kent to superman as alter-ego.
attributes can be transferred with transfers,
e.g. Transfer(fire->heat); Transfer(bath->clean). Where something with
a connect between fire gets heat and connected with bath gets
clean. [28]
Certain things will get transferred and others not depending on what
those things are. e.g. "The laptop is Godzilla" means it's huge and
slow, but not green and pungent. [30] Favored by common
attribute selection and functional attributes of the target (called
the tenor in this paper). [31]
I didn't get to the parts about coherence.
Differences with conceptual dependency theory:
- CD intends to capture all meaning, this just broad strokes.[38]
- because they are spatial metaphors, they are not as brittle as
CD. (summary author's note: huh?)
- PTRANS, for example, is the same meaning for everything you put
it to, where this bends meaning according to the associated words
and concepts.
- CS is the starting point for elaboration, CD is the final
interpretation.
Summary author's notes:
- Page numbers are from a preprint.
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Last modified: Tue June 16 10:28:57 EDT 2003